AnimationAA

Capturing Audience Attention🖌    ( McVee, 2016) This Trimester I have been tasked with producing a piece of visual content for public display on the Yagan Tower. Likewise, after some ideating, I've decided that my project will feature a time lapse of seasons as plants and life grow from a deserted place.   Though I've got an idea of what my project will be in order for my project to be successful I'll still need to consider one more thing…   My Audience.   So, who is my audience? Well, the Yagan tower is positioned in t he heart of the Northbridge Perth district near commuting areas. So, it will be seen by everyone who enters the city or passes by. Likewise, my project will cater to a general audience.   Since, my project is for artistic purposes rather than advertising I would equate my project to that of public art more specifically a mural. Murals are illustrations that are often displayed in public areas such as buildings, alleyways, park walls and so o

What is the industry doing now and in the future? 💭 Joseph Barbera, Hayao Miyazaki, Butch Hartman, Dan Povenmire, Chris Sanders. What do these five names have in common. Answer, all of them are well known storyboard artists that aided or even created leading shows like Tom and Jerry, Spirited Away, Fairly Odd parents, Phineas and Ferb and How to train your dragon. Likewise, they have all effectively mastered the art of visual storytelling to grasp their audience and leave an impression on society.      Which brings us to this week's question: 🌟 What is the state and future of your specializations industry and how do you aim to enter it?   If the intro hasn't given it away I plan to specialize in becoming a story artist, one that works in both storyboarding and animatics.   Storyboard artists work in the pre-production section of the animation industry. They tend to work in house with other artists including the director to create a visual and engaging representation of the sc